Mary Ellen Bute, still from “Tarantella” (1940) (image courtesy Center for Visual Music) This Sunday, the Cinefamily and the Center for Visual Music are presenting a selection of her films in Seeing ...
He works in mysterious ways.
Luis Recoder’s name is often miswritten as “Recorder,” but the real spelling is the more auspicious of the two: his abstract films and performance pieces aim at a reinscription of the relationship ...
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